ALEXANDRA GILWIT

ALEXANDRA GILWIT

Cinematographer, Editor, Animator, Producer, Colorist

PROMOTIONAL

DOCUMENTARY

NARRATIVE

JUST GRAPHICS

ABOUT

REELS

FOR FUN

 

Accolades

  • “This slow-burn plague-survival film directed by Daniel Byers […] Alexandra Gilwit and Zachary Ludescher’s lush cinematography help elevate the film above other recent Tubi horror originals.”

    Erik Piepenburg, New York Times

    (on narrative horror film ‘Eradication’)

  • 'Coded Bias' named in 'The Movie’s We’ve Loved since 2000'

  • The documentary 'Coded Bias' premiered at Sundance and was nominated for an Emmy for “Outstanding Science & Technology Documentary.”

  • Nominated for Best Graphics & Animation for my work on 'Coded Bias'

  • The documentary 'TikTok, Boom.' premiered at Sundance and was nominated for an Emmy in “Outstanding Business & Economic Documentary.”

  • Best Editor at the NYTV Film Festival for my work in the narrative film 'Ghost Girl.'

Reels

Alexandra is a versatile and experienced filmmaker specializing in all aspects of production, from planning to execution. With a background in art and creative writing, she has a unique eye for finding and shaping a story.

Over the years she has made sure to keep her portfolio as eclectic as possible so that she can always bring a fresh and unique perspective to every project she takes on. She has extensive experience in taking projects from pre-production to post, shooting branded content as well as documentary and narrative content. Most recently she has produced, shot, and edited a number of digital features for CNN.

In the past, she worked as lead editor and visual effects artist for a feature-length documentary that premiered at Sundance 2020 and was syndicated by PBS and then Netflix, “Coded Bias.” It got nominated for an Emmy in 2022. Additionally, she worked as a staff shooter, producer, animator, and editor for MTV for several years.

And between all of those jobs, she freelanced as a producer, shooter, animator, and editor for several TV shows including “Impractical Jokers” and “This week at the Comedy Cellar,” another feature-length documentary that premiered at Sundance 2022 and was nominated for an Emmy, “TikTok, Boom,” a horror film that got a New York Times write up that specifically compliments her cinematography, “Eradication,” the Biden Campaign in 2020, to name a few.

Her on-set knowledge as well as her refined editing, shooting, and producing instincts are sure to bring a fresh perspective to your content!

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